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AntipsychiARTrie Des liens entre art et antipsychiatrie de 1960 à nos jours
AntipsychiARTrie Des liens entre art et antipsychiatrie de 1960 à nos jours 16 May – 29 June 2019 Tuesday-Saturday 10 am to 8 pm Entrance free Institut national d'histoire de l'art Salle Roberto Longhi 2 rue Vivienne / 6 rue des Petits-Champs 75 002 Paris Association
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Stuart Brisley: Decisions, Galeria Studio, Warsaw
Stuart Brisley: Decisions Galeria Studio Palac Kultury i Nauki / Palace of Culture and Science Plac Defilad 1 Warsaw Poland Curated by Barbara Piwowarska Opening reception: 20 September 2018 7-9pm with a performance at 7:30pm Exhibition continues 21 September-9 December 2018 Tuesday-Sunday
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Stuart Brisley: Lustro (Mirror) performance at Muzeum Sztuki, ms1, Więckowskiego 36, Lodz
Text 1 Working Proposal from Stuart Brisley: The title is The Octogenarian Specular… bit parts, moments, inevitable mistakes, errors. Specular refers to the properties of the mirror. Please add a mirror to the list of materials. List of antics: Everything to do with the images of sitting, lying, on two legs, speech and un-speech, wearing others’ (other people’s) clothes from time to time. Please supply clothing of both
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Stuart Brisley: Rituals Once Took Place Without Observers
Stuart Brisley: Rituals Once Took Place Without Observers + Q&A with Stuart Brisley and BFI Curator William Fowler Artist Stuart Brisley's investigations into 'performance art' screen alongside his film about a maritime tragedy, plus an extract from a unfinished, never-before-seen episode of Arena. Performance art is a term used to describe a live art activity that fits uneasily into critical categories. It is ephemeral and often dangerous. In Being and Doing (1984, 55min) artist
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21st Biennale of Sydney Superposition: equilibrium and engagement
Curated by Mami Kataoka, the 21st edition will examine the quantum mechanical theory of superposition by investigating how it might operate in the world today. As one of seven venues participating across Sydney, the Art Gallery of NSW will feature exceptional new projects by a diverse field of celebrated international artists. To commemorate 45 years of the Biennale, the exhibition will additionally reflect on the Biennale’s rich history through a close examination of
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Join us for the performance of a new work from ‘godfather of British performance art’ Stuart Brisley, following on from his work Next Door (the missing subject). Brisley has a sociopolitically engaged practice spanning 70 years, with a consistent ‘desire to challenge… established cultural expectations‘. Through his highly influential performance practice, ‘Brisley engages the audience and establishes a dialogue of action and reaction that
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The Institute of Contemporary Art, Miami will open its new permanent home on December 1, 2017 with a major group exhibition exploring the significance of the artist’s studio, from the post-war period to the present day. Encompassing some 100 works in painting, sculpture, video, and installation, The Everywhere Studio brings together over 50 artists from the past five decades to reveal the artist’s studio as a charged site that has both predicted and responded to broader social and
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Drawing Room Confessions Presents… Stuart Brisley
Featuring influential performance artist Stuart Brisley alongside Michael Newman , Hayley Newman, Anne Tallentire and John Seth, this event enacts a network of alliances through a chain of live encounters. To coincide with the latest issue of Drawing Room Confessions dedicated to Stuart Brisley, each speaker has been chosen by the artist to take part in a collective conversation animating art and social practice. Drawing Room Confessions is a journal that plays with the serious (and
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This Way Out of England, Gallery House in Retrospect at Raven Row
Over seven weekends Raven Row celebrates Gallery House, one of the most influential and extraordinary contemporary art spaces in London in the early 1970s. Through performances, screenings and discussions, accompanied by a changing presentation of artworks and archival material, This Way Out of England charts Gallery House’s exceptional programme, led by director Sigi Krauss and assistant director Rosetta Brooks. Neither a retrospective nor an archival
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Galeria Jaqueline Martins
Booth G16
Frieze London 6-9 October 2016
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From The Georgiana Collection, Hales London New York
Hales is pleased to announce Stuart Brisley’s solo exhibition From The Georgiana Collection. This will be the gallery’s first exhibition with Brisley. Across Brisley’s ground-breaking career, which has encompassed painting, sculpture, site-specific installation, sound, photography, writing, film and performance, he has remained committed to making work that questions existing social and political structures. In the late 1960s, he pioneered the development of
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Interregnum, Galeria Jaqueline Martins
Interregnum In his Prison Notebooks, Antonio Gramsci wrote: “The crisis consists precisely in the fact that the old is dying and the new cannot be born; in this interregnum a great variety of morbid symptoms appear.” Gramschi's analysis represents a condition of tensed-time, a live proposal. It is about the current time, the present time. Time of performance, time of the present situation and of the participants themselves. This is what a performance is: a live proposal
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Stuart Brisley | Studio Visit | TateShots
Please go to the link to watch the video
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The exhibition "Yes, but is it performable? Further Investigations into the Performative Paradox" brings to Graz international artists who are exploring topical questions related to the performative with an aim to present new works in activating dialogical juxtaposition to works by historically formative forerunners. This elaborate experiment developes gradually, with new works entering the exhibition each week during the exhibition period while the settings of the performances playing out in
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The Body Extended: Sculpture and Prosthetics, The Henry Moore Institute
The Body Extended: Sculpture and Prosthetics explores how sculpture has responded to the technological supplementation of the body. Spanning the First World War to the present day, this exhibition of objects, drawings, films, photographs, paintings and archives from medical museum collections, focuses on analogue augmentation to the body, tracing how artists have addressed radical changes to the very thing humans know best: our bodies. The First World War profoundly changed
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Conference Ouro Preto 2016 I International Network for Theory of History
Dr Sanja Perovic on: History as Live Action - Performing the Past with Stuart Brisley 2nd INTH network conference: The Practical Past: on the advantages and disadvantages of history for life Ouro Preto, Brasil 23-26 August 2016 History and performance studies are often considered antithetical. History typically emphasizes distance and events firmly ‘in the past’, while performance focuses on presence, bodily immersion and action. Recently however there
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As Before in Process Performance Presence, Kunstverein Braunschweig
Curated by Tim Etchells including Boris Charmatz, Florian Roitmayr, Liam Gillik, Roman Ondak, Roni Horn, Tarek Atoui and others. PROCESS, PERFORMANCE, PRESENCE presents the multidimensional nature of the various artistic strategies in this thematically mapped-out field. Several works bear witness to much more than only diligence and endurance, they represent the life’s work of an artist, something he or she has engaged in every day. Other works of art reveal changes over the course of
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Z archiwum Galerii Studio (From Galeria Studio Archive) I Night of Museums in Warsaw
Galeria Studio Teatr Studio im S.I.Witkiewicza Pl. Defilad 1, PKiN 00-901
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Dallas Art Fair
Booth A3
14-17 April 2016
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Stuart Brisley in Ken McMullen's 'Resistance' at the AV Festival Biennial 2016
Stuart Brisley participates in the AV Festival Biennial Part 1: Meanwhile, What about Socialism? Stuart Brisley will be participating in this edition with Ken McMullen in Ken's film Resistance. The film's title also gives its name to the festival's film programme: Resistance: British Documentary Film, Tue 1 - Thu 24 March 2016. Resistance assembles fragments of raw material (archive film, performances, music, historical and psychological contradictions)
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A new performance: Stuart Brisley | DRAWN at David Roberts Art Foundation
A new 4day/24 hour performance titled DRAWN by Stuart Brisley specifically conceived for the David Roberts Art Foundation (DRAF), from the 2nd - 5th March 2016. There will be a curated programme of the artist's films accompanying the live work. The programme is co-curated by João Laia. "Meanings of drawn or it comes to the same thing follows a path similar to what a live action drawn out during 6 hours a day might be like: Evenness, equality (of time),
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PERFORMING FOR THE CAMERA 18 February – 12 June 2016 Tate Modern The Eyal Ofer Galleries Tate Modern exhibition Performing for the Camera examines the variety of ways in which the photographic image has both documented and developed our understanding of performance since the invention of photography as a medium in the nineteenth century. The exhibition engages with both the serious business of art and performance and the humour and
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Produced and Performed - An Afternoon of Conversation and Performance
Produced and Performed An Afternoon of Conversation and Performance Sat 13 Feb Free, all welcome DRAF hosts the second day in its series looking at performance through discussion and live acts. Programme 3pm Louise O'Kelly (Block Universe Performance Festival) speaks to curators Capucine Perrot (formerly Tate), Lucia Pietroiusti(Serpentine Galleries), and Nicola Lees (Independent Curator, formerly Frieze Projects) about the
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Delegating (community) action: Stuart Brisley’s Peterlee Project by Neylan Bagcioglu has been chosen for publication in the upcoming issue #3 of Stedelijk Studies focusing on ‘Performance’. The journal is published by the Stedelijk Museum Amsterdam.
www.stedelijkstudies.com -
Photography, Concept, Performance, Documentation, Drawing, Language
Martha Wilson, Neke Carson, Eunice Golden, Hans Breder, Roy Colmer, Karen Shaw, Roberta Allen, Jaime Davidovich, Marc H. Miller, Colette, Susan Bee, Gerry Hayes, Roger Welch, Jack Smith, Morgan O’Hara, Gene Beery, Betty Tompkins, Arthur Cohen, Willoughby Sharp, Jared Bark, Stuart Brisley, Duff Schweninger Mitchell Algus Gallery 132 Delancey Street, 2nd Floor New York 10002 www.mitchellalgusgallery.com Review in Village Voice by Jennifer
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THE EXHIBITION OF A FILMWednesday 25 November, 18.30Tate Modern, Starr AuditoriumThis multidisciplinary project by Mathieu Copeland brings together visual artists, filmmakers, musicians and writers to ask can we consider an exhibition in the form of a film?Includes a sound work made for this project by Stuart Brisley. The Exhibition of a Film, a project conceived by Mathieu Copeland with Mac Adams, Fia Backström, Robert Barry, Erica Baum, Stuart Brisley, Jonathan Burrows, Nick Cave, David
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L'Exposition D'un Film / The Exhibition of A Film
L'EXPOSITION D'UN FILM / THE EXHIBITION OF A FILMCNEAI de Chatou, FranceThis multidisciplinary project by Mathieu Copeland brings together visual artists, filmmakers, musicians and writers to ask can we consider an exhibition in the form of a film?Includes a sound work made for this project by Stuart Brisley.CNEAI de
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Title of session:Can performance teach us about history and historical time?Sanja Perovic in conversation with Stuart Brisley.Dr. Perovic will give a specific account of her current and ongoing collaboration with the time-based performance art of Stuart Brisley: 'Dead History, Live Art: Encounters with Stuart Brisley’. This presentation will introduce the French Revolutionary Calendar (the topic of Dr. Perovic's previous research) and then consider the implications of the calendar in
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L'Exposition D'un Film / The Exhibition of A Film
L'EXPOSITION D'UN FILM / THE EXHIBITION OF A FILM18 September 2015This multidisciplinary project by Mathieu Copeland brings together visual artists, filmmakers, musicians and writers to ask can we consider an exhibition in the form of a film?Includes a sound work made for this project by Stuart Brisley. The Exhibition of a Film, a project conceived by Mathieu Copeland with Mac Adams, Fia Backström, Robert Barry, Erica Baum, Stuart Brisley, Jonathan Burrows, Nick Cave, David
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THE WORLD AS IT IS AND THE WORLD AS IT COULD BE
THE WORLD AS IT IS AND THE WORLD AS IT COULD BE ArteBA, Buenos Aires, June 3-7 Curated by Julieta González In this edition, the Venezuelan curator Julieta González will present more than 40 works, performances and workshops of 35 international artists from 12 countries: Argentina, Belarus, Brazil, Colombia, the Netherlands, Spain, United States, France, Puerto Rico, UK and Switzerland. The title of the exhibition which will occupy an area of 800 m2 at the fair is "The
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3rd Mardin Biennial "Mythologies"
3rd Mardin Biennial "Mythologies" Opening 15 May 2015 www.mardinbienali.org/2014/eng.asp A report on the first Mardin Bienali in New York Times Demet Alkatip in Sanatatak on the 3rd Mardin Biennial Demokrat Haber Agos - Serdar Korucu Kunst:Biennale in der Turkei / Arte TV Skylife Mahsum Cicek in SanatAtak Melike BAyik in Artful Living A new sound work House of the Mesopotamian Cat The body of a cat found at the site of the 19th century Mor Efrem Monastery in Mardin is the
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Headwinds closing performance - A new sound work for Belfast. Thursday 23 April at 6pm.To mark the close of the exhibition Stuart Brisley: Headwinds we are delighted to be presenting a new piece of live performance from the artist at a significant off-site location in Belfast city centre.Contained within a magnificently dilapidated space initially built as site for industry, labour, and exchange, Stuart Brisley will be presenting a new sound work responding to this charged environment on
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The Body Politic: Resistance + Q&A
UK 1976 Directed by Ken McMull enWith Stuart Brisley, Marc Chaimowicz, Jack O’Connell, Sam Reid, Sean Harris .90 min This bold film invites sustained, deep engagement as it works through a steady stream of ideas around the theme of resistance, both in its political and psychological manifestations. Artists Stuart Brisley and Marc Camille Chaimowicz assume the roles of historical figures from the French Resistance, and eventually reach breaking point as theatrical limits are met and
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Stuart Brisley: Performing the Political Body and Eating Shit
Michael Newman Stuart Brisley: Performing the Political Body and Eating Shit Published by MAC Belfast and Museum of Ordure ISBN 978 0 9575299 2 2 Publication date: 26 March 2015 Please download the PDF by going to 10's/Text
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Panel Discussion: The Cenotaph Project & The Public Sphere
Panel Discussion: The Cenotaph Project & The Public Sphere26 Mar 2015 at 19:30 The Hub, MAC BelfastPanel: Stuart Brisley, Maya Balcioglu, Dr Sanja Perovic, Dr Colin Darke and Tony White.The British painter, sculptor and performance artist Stuart Brisley is widely regarded as a key figure in British art. Along with his frequent collaborator, Maya Balcioglu, he has unflinchingly probed the political, cultural and social mores of his time in a career now spanning six decades.The word
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21 Feb - 11 Apr 2015
Opening 20 Feb 6-9pm
Aanant & Zoo -
History is Now: 7 Artists Take On Britain, Hayward Gallery, Southbank Centre, London
This major exhibition looks at art, life, culture since 1945 and is unusual in that it features 7 artists-as-curators who are working on themes or episodes drawn from recent history of their own choosing. The artists are: Richard Wentworth, Jane and Louise Wilson, John Akomfrah, Roger Hiorns, Hannah Starkey, and Simon Fujiwara. Hayward Gallery The Guardian review Artnet review Review in The Telegraph The Observer review Huffington Post Time Out review thisistomorrow
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Stuart Brisley : Headwinds, MAC Belfast
Stuart Brisley Headwinds MAC Belfast 29 January-26 April 2015 http://themaclive.com/ Meet The Artist Stuart Brisley, MAC Belfast interview Luke Clancy interviews Stuart Brisley on RTÉ Culture File (Raidió Teilifís Éireann) - Irish National Radio and
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ABRAKADABRA (on the magical dimension of sound, from the word to siren songs and radio waves) Curated by Claudia Rodriguez-Ponga 6 November 2014 - 24 January 2015 http://www.galeriajaquelinemartins.com.br/ https://www.facebook.com/pages/Galeria-Jaqueline-Martins/164791773544846 Abrakadabra in
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BREATH A new performance by Stuart Brisley Royal Academy Life Rooms, commissioned by Modern Art Oxford as part of Stuart Brisley's exhibition State of Denmark 7pm 29 October 2014 From Wikipedia: mise en abyme: The modern meaning of the phrase originates with the author André Gide who used it to describe self-reflexive embeddings in various art-forms and to describe what he sought in his own work. As examples, Gide cites both paintings such as Las Meninas by Diego
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UNDERGROUND - Arts and Humanities Festival, Chapel, King's Building
The Cenotaph Project and the Public Sphere presented by the Department of French and the Centre for Enlightenment Studies in UNDERGROUND - Arts and Humanities Festival Friday 24 October 2014 / 19:00 to 20:30 Chapel, King's Building, Strand Campus London http://www.kcl.ac.uk/artshums/ahfest/index.aspx The Cenotaph Project and the Public Sphere Please go to the text page for The Holborn Cenotaph by Tony
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This is What Comes…, The Golden Thread Gallery, Belfast
The Golden Thread Gallery, Belfast Preview Thursday 23rd October This exhibition will feature a number of key works by international artists who have made work in or about Northern Ireland. The show will explore how this work has been critically received beyond Northern Ireland and what impact this has made towards the broader understanding of ‘the troubles’, featuring artists Mike Kelley, Stuart Brisley and Phil Collins & a film by Irene Sosa on Nancy Spero in
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artBO Feria Internacional de Arte de Bogota
artBO Feria Internacional de Arte de Bogota
Galeria Jaqueline Martins -
3rd Mardin Biennial "Mythologies"
3rd Mardin Biennial "Mythologies" 17 October 2014-17 November 2014 The Bienale has been postponed in response to the recent and developing events. http://www.mardinbienali.org/www/ “Mitolojiler” konseptli 3. Mardin Bienali’ni coğrafyamızdaki halkların yaşadığı acılar nedeniyle ileri bir tarihe erteliyoruz. Sanat susmaz, susmayacak ancak vakit çocuk çığlıklarını duymanın vaktidir. Bizler 3. Uluslararası Mardin Bienali Ekibi
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72-82
A film by William Raban on the first 10 years of ACME
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SEMINAR: SYSTEMICS #4: AVANTGARDE AS NETWORK
In connection with the exhibition Systemics #4: Aarhus Rapport – Avantgarde as network (or, the politics of the ultralocal), Kunsthal Aarhus holds a day seminar. The event is developed and moderated by Marianne Ping Huang (Aarhus University). The notion of the avant-garde as an artistic, social, and political force operating on the edge of history has been challenged with a more recent focus on the 20th Century avant-garde movements. For the last decade or so avant-garde
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Systemics#4: Aarhus Rapport – the avantgarde as network (or, the politics of the ultralocal) Kunsthal Aarhus27 September - 19 December 2014 http://kunsthalaarhus.dk/en/programme#overlay=en/programmes/systemics-4-aarhusrapport-1969-2017-avantgarde-as-network-or-the-politics-of Museum of Ordure Kunstkritikk review quote: "It was perhaps no coincidence that the most critical gaze of the discussion came from the
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«L’EXPOSITION D'UN FILM» in BIENNALE OF MOVING IMAGES 2014, CENTRE D'ART CONTEMPORAIN GENEVE
A new sound work in «L’EXPOSITION D'UN FILM» – A FILM BY MATHIEU COPELAND BIENNALE OF MOVING IMAGES 2014 CENTRE D'ART CONTEMPORAIN GENEVE 18 September - 23 November 2014 www.centre.ch Taking its construct both within the reality of a film and its medium, The Exhibition of a Film (L'Exposition d'un film) envisages through a polyphony of sound and images the possible textures offered by the cinematic environment. The time of the film stems from the
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Zbigniew Warpechowski. It, ZACHĘTA, Warsaw
Being and Doing, 1984
InZBIGNIEW WARPECHOWSKI. IT
20 September - 11 November 2014
ZACHĘTA – NATIONAL GALLERY OF ART
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Stuart Brisley, State Of Denmark, Modern Art Oxford
Stuart Brisley, State Of Denmark, Modern Art Oxford Curated by David Thorp with the Museum of Ordure 19 September – 16 November 2014 Opening reception: 19 September 2014 "Something is rotten in the state of Denmark" Hamlet (1.4), Marcellus to Horatio, William Shakespeare As the end of the twentieth century drew near the author and political commentator Richard Gott writing about Stuart Brisley considered the state of British institutions, censuring
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Monument Sainsbury Centre for Visual ArtsUniversity of East AngliaNorwich NR4 7TJ 28 March –24 August 2014 And: The Undercroft, Norwich: 6 June – 10 August Monument is a word that exists in English and French with almost the same range of meanings broadly to do with commemoration and memory, grandeur and endurance, hubris and impact. It has been chosen to provide an overall theme for a series of inter-connected exhibitions of contemporary art in the cross-channel region
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Common People: Tate-Hope Lecture at Tate Liverpool
Common People
Tate–Hope Lecture at:
The Great Hall
The Cornerstone Building
The Creative Campus
17 Shaw Street
Liverpool L6 1HPFriday 14 March 2014 at 18:30
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Keywords: Art, Culture and Society in 1980s Britain
Keywords: Art, Culture and Society in 1980s Britain
curated by Gavin Delahunty and Grant Watson, Tate Liverpool
28 February – 11 May 2014
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01.01.CM collection of the Museum of Ordure, book launch
01.01.CM collection of the Museum of Ordurepublished by Antipyrine printed by Specialtrykkeriet Viborg© Copyfarleft / kopimi 2014ISBN 978-87-93108-07-3 http://www.ordure.org/collection/01-01-cm/ Book launch 19 February 2014 Kunsthal Aarhus http://kunsthalaarhus.dk/en/programme#overlay=en/programmes/book-launch-from-the-collection-of-the-museum-of-ordure-published-by-antipyrine Museum of Ordure is a self-institution that explores the cultural value of ordure
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Systemics #3. Against the idea of growth, towards poetry (or, how to build a universe that doesn't fall apart two days later)Kunsthal Aarhus11 January - 2 April 2014 "Waste grounds are the most concrete emblems of every economic cycle." (Roberto Saviano, Gomorrah, 2006) The exhibition, that partly borrows its title from Danish artist Jacob Kolding , reflects on the relationship between advanced technologies and everyday life; the complex global processes that shape current economic,
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Tate Archive Show and Tell: Stuart Brisley
Tate Archive Show and Tell: Stuart Brisley
Tate Britain, Tate Library and Archive
Friday 10 January 2014 Two sessions at 12.30 and 13.30 Booking is essential
http://www.tate.org.uk/ -
Ways of Working: the Incidental Object curated by Julieta Gonzalez, by invitation of Artissima
Ways of Working: the Incidental Objectcurated by Julieta Gonzalez, by invitation of ArtissimaFondazione Merz, Turin, ItalyNovember 7th, 2013 – January 12th,
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Back to the future: solo stand at Artissima
Back to the future: solo stand at Artissima
8–10 November 2013
Torino, Italy
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Stuart Brisley at Mummery+Schnelle
Stuart Brisley at Mummery+Schnelle16 October – 30 November 2013Opening: Thursday 17 October 6–8pm Please go to the text section for: - an interview by Louisa Buck in The Art Newspaper, Number 250, October 2013;- a review of the exhibitions by Martin Holman, Art Review, January-February
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A new 10 day performance
One Revolutionary hour daily for 10 days at domobaal
21/ 22/ 23/ 24/ 25/ 26/27/28/29/30 November 2013
Before the Mast
http://www.domobaal.com/exhibitions/75-13-stuart-brisley-01.html -
Stuart Brisley at domobaal4 October–30 November 2013Opening: Friday 4 October 2013, 6–8pm Please go to the text section for: - an interview by Louisa Buck in The Art Newspaper, Number 250, October 2013;- a review of the exhibitions by Martin Holman, Art Review, January-February 2014. - a review of the exhibitions by Peter Suchin, Art Monthly, February 2014. Wall Street
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Acme Studios: The First Decade (1972–82)
Pat Matthews Gallery (Gallery 4), Whitechapel Gallery7 September 2013 — 23 February 2014 This archive exhibition charts the beginnings of Acme Studios. Formed in 1972 by recent graduates, Acme pioneered the use of short-life houses to establish the first communities of artists in East London. Over this period it expanded to support many hundreds more with affordable living and studio space as well as through its diverse programme at The Acme Gallery in Covent Garden from 1976 to
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Contexts 2013 - 3rd International Sokolovsko Festival of Ephemeral Art28 July – 1 August 2013 Fundacja Sztuki Współczesnej "In Situ"In Situ Contemporary Art
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Stuart Brisley Part 1 (circa 1960–80): Studio Visit on Resonance FM
Stuart Brisley Part 1 (circa 1960 – 80) By Morgan Quaintance, Studio Visit on Resonance FM June 13, 2013 / SERIES THREE Endurance, primal regression, ordure and disharmony these are some of the key themes in Stuart Brisley’s challenging performance art work. In this interview Brisley discusses the genesis and progress of his practice from the 1960s to ’80s. Download here:
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British Museum Recent acquisitions: Arcimboldo to Kitaj
British MuseumRecent Acquisions: Arcimboldo to Kitaj30 May – 1 September 2013 This exhibition gives an extraordinary glimpse of 11,000 prints and drawings acquired by the British Museum over the past five years. The 130 pieces on display will show how the Museum’s collection of graphic works has grown in recent years through generous gifts and bequests. The collection’s unique breadth and depth will be displayed in three distinct sections that span continents and
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Tate Liverpool, DLA Series: Constellations
Stuart Brisley's work 'ZL636595C' (1972) in the Tate collection is currently on display at Tate Liverpool as part of DLA Piper Series:
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1933, 1943, 1953 –INTERACTIONS the International Art Festival
MOCAK Museum of Contemporary Art Krakow
May 2013 -
Stuart Brisley chairs Afterall Film Club
Afterall Film Club
Stuart Brisley chairs Afterall Film Club
Thursday 18 April 2013
18.20–21.00http://www.afterall.org/events/afterall-film-club-stuart-brisley
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Re-Performance. Between Performance and Photography
Re-Performance. Between Performance and Photography
BWA Sokół, Nowy Sącz, Poland
22 March – 21 April 2013 -
Stuart Brisley: PhotographsGallery 2 Mummery+Schnelle44a Charlotte RoadLondonEC2A 3PD 6–28 March 2013 Stuart Brisley’s work moves between art contexts and social ones. It is addressed to the politics of consumption, class relations and authority. Brisley is best known as a key figure in British performance art, but what deserves to be better recognized is the importance of painting, photography and drawing to his practice, and how his work in these media contribute to a more wide
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A Bigger Splash: Painting after Performance Panel Discussion
A Bigger Splash: Painting after Performance Panel DiscussionTate Modern, Starr AuditoriumFriday 1 March 2013, 15.00–17.00£15, concessions available, tickets include entry into exhibition This panel discussion draws on the debates around the relationship between painting and performance raised by Tate’s current major exhibition A Bigger Splash: Painting after Performance. Opening with Jackson Pollock and David Hockney, it approaches how new art practices led to an expansion of
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National Martime Museum: At the Water's Edge Film Festival
National Martime Museum: At the Water's Edge Film FestivalRomney Rd, Greenwich SE10 9NF 23–24 February 2013 A response to Ansel Adams: Photography from the Mountains to the Sea exhibition.Film programme curated by Sukhdev Sandhu, Bryony Dixon and Amy Watson.Estonia will be shown as part of this
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Stuart Brisley: Selected Works 1969–2009
Stuart Brisley
Selected Works 1969-2009at
Mummery + Schnelle
83 Great Titchfield Street, London W1W 6RH
+44 20 7636 7344
13–17 November 2012
Private view: Thursday 15 November, 6-8pm
Mummery + Schnelle announcement -
A Bigger Splash: Painting after Performance Art
A Bigger Splash: Painting after Performance Art14 November 2012 – 1 April 2013 Click here to read review in The GuardianNovember 2012 Click here to read review in The TelegraphNovember 2012 Click here to read review in This Is Tomorrow magazineDecember 2012 Tate Modern A Bigger Splash will take a new look at the dynamic relationship between performance and painting from 1950 to the present day. Taking its title from David Hockney’s iconic 1967 image of a Californian
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Moral Holiday18 October 2012 – 12 January 2013 Northern Gallery forContemporary ArtCity Library and Arts CentreFawcett StreetSunderland SR1 1REwww.ngca.co.uk Artists include: Bruce Nauman, Valie Export, Paul McCarthy and Mike Kelley, Gordon Matta-Clark, Abel Abidin, Stuart Brisley, Ben Vautier, David Shrigley, Phil Collins, Ryan Gander, Murray Ballard, Martin Kellett, Darren Cullen, Teal Griffin, Sara Punshon, Rafael Rozendaal, Nicholas Keogh, Clarita Lulic, Marjolaine Ryley, Max
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Models and the Every Day, Stuart Brisley talk at Muzeum Sztuki in Łódź, Poland
Models and the Everyday
Stuart Brisley talk at Muzeum Sztuki in Łódź, Poland
27 September 2012
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Unexpurgated 135 Chapters of Moby DickOnline project One chapter per day starting 16.09.12 Press Release13 September 2012 Stars have a whale of a time on Moby-Dick project @ www.mobydickbigread.com An ambitious project designed to bring a literary classic to the attention of a new generation of fans is nearing completion. The Moby-Dick Big Read has been two years in the making and will run for more than three months from its launch on 16 September at the Plymouth International Book
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Parallel Universes: 1970–198524 July – 4 August 2012 The Block GalleryQUT Creative Industries PrecinctBrisbane, AustraliaParallel Universes: 1970 – 1985, explores historic video art and the specific vernacular developed at different geographic locations: Australia, U.S.A., U.K. and Japan. The exhibition will explore the commonalities and differences, within broad conceptual frameworks, between the works produced in these regions. The impetus for this show has come about from
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Bomb Culture BFI South Bank 6 July 2012, 6:20 PM 11 July 2012, 6:20 PM Click here for more information and to book tickets Programme Colour Poems (1974 UK. Directed by Margaret Tait. 12min) Bang! (1967 UK. Directed by Bob Godfrey. 8min) Speak (1962 UK. Directed by John Latham. 10min) Meatdaze (1968 UK. Directed by Jeff Keen.10min) O Dreamland (1953 UK. Directed by Lindsay Anderson. 11min) How to Have a Bath (1971 UK. Directed Bruce Lacey & Jill Bruce. 5min) Arbeit Macht
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ELAA European Live Art Archive interview with Stuart Brisley
Click here for the complete audio of the Stuart Brisley interview. Interviewed by Brian Catling. Stuart Brisley is a seminal internationally renowned artist whose experimental work has shaped and evolved contemporary visual intelligence for the last fifty years. He has been called the ‘Godfather of British performance art’, but his influence has never been contained inside a single field of expertise. He is also a painter, sculptor, writer, sound artist, film and video
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Click here to read the review in Handelsblatt
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Seminar on Performance, University of Basel
Performance Studies, Department of Art History, University of Basel Seminar on Performance Art and it's trans-generational transmission, including documentation and archiving. 29 March 2012 19.15 hours Kunsthistorisches Seminar der Universität Basel St. Alban-Graben 8,
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Click here to read review in White Hot Magazine March 2012 http://thisisexile.com Mar 24 - Apr 29, 2012 Stuart Brisley Exile cordially invites you to the second solo exhibition of influential British artist Stuart Brisley. Following his 2010 inaugural gallery exhibition entitled Measurement and Division, which also was Brisley's first solo exhibition in Germany in over 20 years, his second exhibition now focuses on a rather unexpected perspective of Brisley's work and will
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A New Film: Next Door (the missing subject)
Tuesday 24 April: Stuart Brisley in conversation with Charles Esche Art Monthly review by John Douglas MillarApril 2012 (Please go to Text section) Review by Paul Hobson, Contemporary Art SocietyApril 2012 PEER 99 Hoxton Street, London N1 6QL www.peeruk.org Direction and Sound: Stuart Brisley Camera: Chris Dorley-Brown Editor: Stephen Connolly Forthcoming event: Tuesday 24 April at 6.30pm Stuart Brisley in conversation with
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Spirits of Internationalism: 6 European collections, 1956–1986
Van Abbemuseum Eindhoven and M HKA Antwerp The title of this third exhibition is Spirits of Internationalism, which reflects the tension between the international (with its promises of a better world, but also with overtones of political and cultural hegemony) and the various regional and local art milieus represented in the L’Internationale project. Like the other exhibitions in this series it covers the period 1956–1986, characterised by the bipolarity of the Cold War and
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Group show, Exile, Berlin
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United Enemies: The Problem of Sculpture in Britain in the 1960s and 1970s
The Henry Moore Institute Leeds United Enemies looks at sculpture made by artists in Britain during the 1960s and 1970s, a time when the idea of sculpture was being radically contested. Curator Jon Wood looks at this highly fertile and experimental period, focusing on the dramatic changes in our understanding of the medium that occurred. Aside from the institutional contests and rivalries of the time, the exhibition invites us to think retrospectively about shared
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STUART BRISLEY Ending Imperfect – A Provisional Title in SOLO at Modern Art Oxford Performance: Saturday 26 November 2011, 4—8pm A new performance for SOLO, a weekend of performances curated by Brian
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Arbeit Macht Frei film screening and talk
Tate Britain, Auditorium
Friday 7 October 2011, 19:10–20:00
Film screening and discussion with Catherine Wood, Curator, Contemporary Art/Performance, Tate Modern
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The Apparatus: Arnolfini 50th Anniversary Programme www.arnolfini.org.uk Throughout 2011, to mark our 50th anniversary, Arnolfini will be exploring a year-long theme entitled The Apparatus. This series of 'experimental blockbusters' will focus on the conditions of the art world today, particularly its systems of belief and valuation, its role within society, and its relationship to the wider political economy. The Apparatus is about the 'makings of' artists, of artworks, of
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The Pace Gallery
545 W 22nd St
New York
www.thepacegallery.com -
Performance in Context: 1969–1977
Tate Britain
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British Art 1500–2011
Art for Whom? in Gallery 5, Tate Britain
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Goodbye London - Radical Art and Politics in the Seventies
At Motorenhalle, Projektzentrum für zeitgenössiche Kunst, Wachsbleichstr. 4a, D-01067 Dresden
22 March – 29 April 2011
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Exhibition at Plymouth Arts Centre with work by artist friends of Monika Kinley.
11 March – 1 May 2011
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Solo show at Algus Greenspon, New York
Solo show at Algus Greenspon, New York 12 March – 23 April 2011 http://www.algusgreenspon.com Roberta Smith in New York Times 8 April 2011 Will Heinrich in The Observer 22 March
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Modern Mondays Talk, MoMA New York
Modern Mondays Talk, MoMA New York 14 March 2011 Museum of Modern Art: 11 West 53 Street, New York, NY
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Modern British Sculpture, Royal Academy of Arts
Modern British Sculpture, Royal Academy of Arts 2011 will mark the thirtieth anniversary of the last exhibition to examine British sculpture of the twentieth century. British Sculpture in the Twentieth Century was staged at the Whitechapel Art Gallery twenty years before the century had even ended, and it is even longer since the Royal Academy last devoted its Main Galleries exclusively to a survey exhibition of sculpture, British Sculptors ‘72.
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This Could Happen To You - Ikon in the 1970's
This Could Happen To You - Ikon in the 1970's This summer Ikon presents the second chapter in its history; a survey of the artistic programme from 1970 to 1978. This follows the 2004 exhibition Some of the best things in life happen accidentally: the beginning of Ikon. Works by thirty-two artists are displayed throughout the galleries, supplemented by installations at Ikon Eastside and the Pallasades Shopping Centre. Political commitment was important to many artists of the
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Goodbye London - Radical Art and Politics in the Seventies
Goodbye London - Radical Art and Politics in the Seventies The exhibition focuses on the political culture of the 1970s in London and the UK. Against the backdrop of economic decline the country developed into a vital, politicized art scene, which took time and again in a temporary home to empty houses that have been given a new lease of up to 30,000 squatters. It created art and film collectives, to property speculation, the escalation of the conflict in Northern Ireland, the strikes
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A new work, The Last Breath is presented for the first time. Organised by Handel Street Projects. The video The Last Breath is the culmination of four performances under the title The Last Breath. The subject is derived from memories of two experiences of approaching death. The first was at Speakers Corner in 1967, when a speaker spoke of his immanent death. The other is derived from being the sole witness to a man burning to death in an East London park in 1998. In December 2006 a
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Solo exhibition at Exile, Berlin. For further information please visit: www.thisisexile.com/project_sbrisley Click to read reviews in:ARTslanT Berlin, 12 June 2010Monopol, 23 June 2010Welt Am Sonntag, 27 June 2010Aesthetica Magazine, 1 August 2010 Exhibition Dates:12 June - 10 july 2010 ExileAlexandrinenstr 4, HH D-10969 Berlin Thursday - Saturday 12 - 6 pm and by
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Next Door (The Missing Subject)
Stuart Brisley has made performances, installations, public interventions, films, videos, drawings, photographs and paintings for over 50 years. To mark PEER’s acquisition of the lease on 97 Hoxton Street, which will enable the organisation to expand into next door, Brisley will take up temporary residence amongst the trash and pandemonium of the former shop. Adopting the persona of RY Sirb, Brisley’s Curator of the Museum of Ordure, he will investigate and interrogate
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Modern Times: responding to chaos
Modern Times: responding to chaos, Kettle's Yard An Exhibition of drawings and films selected by Lutz Becker, the show will be traveling to the De la Warr Pavilion. It includes Stuart Brisley's drawing Pig Wars, 2008 Exhibition Dates: Kettle's Yard 16th January - 14th March 2010Castles Street Cambridge CB3 OAQ Open: Tuesdays- Sundays 11.30-5pm De la Warr Pavilion April – 13 June 2010BexhillEast Sussex TN40 1DP Open: 10am to 5pm (Monday to Friday) and 10am to 6pm
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100 Years (version #2, ps1, nov 2009)
100 Years (version #2, ps1, nov 2009) P.S.1 Contemporary Art Center/MOMA and Performa 09 announce 100 Years (version #2, ps1, nov 2009), an exhibition presenting influential moments in the past century of performance art history. With over 200 works including film, photography, documents, and audio, 100 years presents a wealth of information that is largely unknown and is intended as an archive for students, scholars, and enthusiasts of the history of performance art. A